Fanfarlo are currently selling a digital version of their album Reservoir, along with 4 bonus tracks, for $1 via their website. It’s on sale at this price until July 4th 2009. They say after that, the madness will end and you will be able to get the CD, the vinyl and a beautiful new special edition at normal prices.
Based on a recommendation from the man behind the excellent Phantom Channel net label, Clorinde are a rather lovely new discovery. Its no surprise that upon searching i find that the even more amazing Folktronica blog has been raving about them for some time.
Beautiful, fragile and twinkling like the very stars above you on a clear, dark night.
The four tracks here are from the Sound on Poetry project and should give you an idea of where they're coming from whilst we await their debut proper.
Whilst you may already be getting washed away in their dreamy drifting In the Dream of the Sea Life album you would be strongly advised to take advantage of this wonderful free EP.
The two extended instrumentals that clock in at a combined thirty minutes are some of the freshest pieces I’ve heard in some time, like Tortoise and Ducktails throwing an impromptu beach party on the autobahn, I don't actually think that’s possible but Candy Claws have successfully managed to nail the sound should it ever be.
Molly Berg + Stephen Vitiello - The Gorilla Variations
Its sometimes the case that the leftovers surpass the main meal, like the cold beef you have with chips and mint sauce the day after the roast, or the cold pizza from the night before. Or like one of your mothers meals when she cooks like she's still cooking for five growing children, often the leftovers are just too good to throw away.
In the case of Molly Berg + Stephen Vitiello came together for a soundtrack project commissioned by Brazilian video artist Eder Santos, whose video portrait of a lonely, zoo-dwelling gorilla (named Idi Amin) was the starting point. Although only a three-minute piece was required of the duo, they improvised their way through forty minutes of guitar, clarinet, vocals, field recording and electronics, the results of which then became the basis for this charming and beguiling album.
Organic and whimsical this album enchants from beginning to end, combining the beauty of the dusky forest sounds with slow burning drones. Highly recommended.
Stream 2 tracks here More Stephen Vitiello to stream here Lots of Free Stephen Vitiello mp3 here
Taylor Deupree - Weather/ Worn Stephen Mathieu - The Key to the Kingdom Jana Winderen - Surface Runoff
I'll admit that drone is not the easiest genre to get into, it takes years of straightforward post rock followed by a departure to more string and piano based instrumental music before it finally clicks, a gentle departure from music being about playing instruments and rather using the everyday sounds and electrical surges to form a hum of pleasing decay.
Its often the case with drone that songs extend past the six, seven minute mark, maybe past fifteen and nearer half an hour, and although I love some of the longer tracks I’m sure that I’m not alone in having been put off by such lengths of time.
The open minded listener who wants to understand why drone is so raved about will no doubt be grateful for these three short releases. Short in length but certainly not in quality.
The impecably named Taylor Deupree, who runs the erm impecable 12k label delivers his first vinyl offering on the label, and the cute story that goes along with it will surely only make you love this release all the more.
These two pieces came about from pottering around on a rainy day with some loop pedals and a collection of instruments including acoustic guitar, kalimba, and bells. Deupree explains: "Pixel, one of my cats, was sleeping next to me as I began to create a warm bed of drones and small noises in an attempt to warm the room and my spirits." As it so happens, the cat in question does actually contribute to these pieces, lending a wheezy snore to the music, immediately bringing to mind the reposeful feel of a Bagpuss episode coming to a close.
Watery and expansive, these are a delight to listen too, interestingly enough the digital release includes an extended version of Worn, cloking in at over 23 minutes and somewhat surprisingly making itself the best track of the bunch given the extra space to breather and expand.
Stephen Mathieu presents the wonderfully entitled The Key To The Kingdom, a two part 10" release, as etheral sounding as it is glaciel, dreamy drones melting away effortlessly and magically. And finally a most interesting release from Jana Winderen, for those who fell in love with Annea Lockwoods idea of mapping the Danube for her album A Sound Map of the Danube, but just couldn't hack its sparseness, then Jana Winderens Surface Runoff may well satisfy your curiosity, 'Drift' is a collage based on underwater documents from several rivers across different continents, and its as wonderful as it sounds.
The last Lacrosse album seemed to fit so perfectly into a situation I was encountering in my life around the time it was released, songs like Who Will Brings Us Together, Let's Get Old and You Can't Say No Forever perfectly encapsulated the confusion and thrill that I was going through, the excitement of a new friendship and the strange feeling you get when you can't quite figure out how and when it will go anywhere and in fact why it wasn't and hasn't, the complicated make up of human relationships. Lacrosse put those feelings and scenarios into such perfectly crafted pop songs that really even the most confusing of times could be cushioned with a helping of pop perfection.
It's sad to say that there are few bands that follow up great debut albums with better or even a standard equivalent to its predecessor, in many cases they either replicate what preceded, at times this works but often the songs seem forced, take Los Camposinos for instance, i was still sweating from their near perfect set at ATP when a new album filtered into existence, rushed and, with the exception of the first few tracks, generally would've been better saved for B sides. The Aislers Set would be another similar reference point, although it was their second album that really shone, the follow up, although good, is a million miles removed, a lovely album of slow burning reverb drenched 60's spector-esque tracks. Good, but not a patch on The Last Match.
So it was with mixed feelings that i pressed play upon receiving Bandages For The Heart, hopelessly excited but equally fully expecting to be disappointed. Fortunately Lacrosse do not disappoint, where I’d be lying if I said that this was better than This New Year Will Be For You And Me it's certainly going to give it a run for its money.
Four songs instantly stand out, the opening brace of We Are Kids & You Are Blind, setting off at lightning pace with the pure pop that we've come to expect and are so happy that has not been lost. If you think that pair is special, then just wait until you get to the, I assume Bonnie Prince Billy referenced, I See a Brightness & maybe even better, It's Always Sunday Around Here, this is pop perfection as far as I’m concerned, like an old friend that no matter what your mood is, you are always happy to hear from or see them. The glockenspiel intro is so typically Lacrosse, very reminiscent of a track from their debut that i can't quite put my finger on, and the lyrics put any doubts that this may be anyone else completely to bed, "Tell me a story/ make the ending happy please/ put some unicorns in there/ and some animals that speak/ don't know where i go wrong/ but it always ends this way/ the world is full of saturdays/ but it's always sunday round here" the muted guitars building and building before exploding at the chorus.
All The Little Things That You Do, My Stop & Come Back Song#1 are growers but are likely to find a place in your heart after just a few listens.
I can't recommend Lacrosse highly enough, this is pop as good as it gets.