Showing posts with label Eluvium. Show all posts
Showing posts with label Eluvium. Show all posts
on Tuesday, 19 October 2010
Another delightful release care of Matthew Coopers Eluvium project, again caked in static, great waves of fuzzied memories and winter winds blowing straight into your face, pianos fade in and out and even though it clocks in at over 50 minutes this is the kind of track that could happily be left on repeat till the day I die.


From the man himself:

"i am often asked

what artists and albums are of influence to me

and although i am an avid consumer of music

i am ultimately a fan of sound in a much larger sense

it is from rain falling, the ocean swelling, the wind picking up

cars driving by, train yards, box fans, etc.. etc.. etc...

the amalgamation of these things creates a wonderful comfort to me

and it is in this "static" that ideas and music come to me

the mixtures of these elements create the chord changes and melodies

or are the foundation by which they are found

there is nothing more comforting to me in the world

than the flood of this vibration at a constant

"Static Nocturne" is an ode

to the process by which inspiration finds me

and an homage, of sorts, to this foundation of noise"

on Saturday, 16 October 2010
Each time I listen to this album i'm left wondering why it took me so long to understand it, to see what all the fuss was about and to fall totally and utterly in love with it. Without doubt Treny has a firm place in amongst my favourite ambient albums, a worthy contempary of albums like The Fun Years - Baby, It's Cold Inside, Grouper's Dragging a Dead Deer Up a Hill, Phill Niblocks Touch Strings, BvDubs Prayer to False Gods and Eluviums Lambent Material. Its sound is so soothing, deep, not warm, almost eerie in places, but generally enchanting, maybe even spiritual, certainly angelic, the kind of album that demands to be listened to through headphones and certainly a grower.



Spoiler : What Boomkat and Miasmah Said :
Marsen Jules, Arvo Part, Zbigniew Preisner's soundtrack work for Krzysztof Kieslowski, Deaf Center, Max Richter, Erik Satie, Alberto Iglesias - if you are familiar and in awe of any or all of these names then this latest album on the exceptional Miasmah label will no doubt end up on your essential listening pile for the foreseeable future. Jacaszek has managed with "Treny" to assemble an album so heart-stoppingly beautiful and personal that we've been stunned into silence for its entire 55 minute duration. With string arrangements provided courtesy of Stefan Wesolowski, the foundations of the album are set with Cello and Violin painting fragile outlines coloured by subtle electronic manipulations, harp, piano and reduced, haunting operatic voices. Unlike so many of his contemporaries, Michael Jacaszek doesn't make use of any samples, with everything on the album assembled by the musicians on hand (notably Maja Sieminska, Anja Smiszek-Wesolowska and Wesolowski and Jcaszek themselves) - and the subtle grandeur of the album is almost impossible to take in over one sitting, even if the impact is absolutely immediate. This is the kind of album that you just cannot believe a bijou imprint like Miasmah is able to lay its hands on - such is the scale of its success that it feels like a hugely important piece of work, far outweighing almost anything else we've heard in the modern classical field these last eighteen months. Cinematic without ever feeling contrived, "Treny" is surely one of the most impressive, mystical and astonishing albums of the year - we just cannot imagine that anyone listening to it will fail to be utterly bowled over and taken in - listen to the previews and you'll get an idea of just what we mean. Deaf Center's Miasmah label has slowly and carefully assembled a life-changing catalogue of releases designed to enrich and expand our musical horizons, and with "Treny" they have just delivered their most complete and compelling musical statement to date. We absolutely implore you to check this album out, one of the year's most important releases thus far. ESSENTIAL PURCHASE.

Miasmah

Michal Jacaszek's 'Treny' is the seventh release from Norway's Miasmah label - a label that has already created a unique and distinctive identity for itself through a string of releases existing in the darker side of the musical spectrum. Bringing together a variety of musicians and composers from around the world, each artist shares a similar aesthetic and a penchant for introspective, lamenting, classically-influenced music. With this in mind, no better home comes to mind for the new album by Poland's Jacaszek - in fact, it could even be argued that 'Treny' typifies the Miasmah 'sound' and encapsulates everything that is so gripping about the label right now.

The opening track, 'Rytm to Niesmiertelnosc I', sets the dimly-lit scene perfectly. A beautifully arranged string quartet and a lonesome female voice are framed with waves of distant underwater rumbles and creaks, with fragments of harp occasionally breaking to surface to release mournful motifs onto the dense musical canvas. It could be argued that the talent that Mr. Jacaszek holds is in his perfect blending of acoustic and electronic sounds, inasmuch that it is hard to tell where tape loops end and forlorn violin melodies begin.

By the beginning of the second piece, the appropriately titled 'Lament', Jacaszek has already firmly established a sound for himself. Clearly influenced by the liturgical compositions of Henryk Gorecki or John Tavener, with a healthy pinch of Angelo Badalamenti's mood-setting soundscapes, Jacaszek manages to find his own niche somewhere between Murcof and Francois Tetaz's indispensible score for 'Wolf Creek' - somewhere dark and mysterious but ultimately beautifully rewarding and moving.

There are traces of optimism in these songs, and as the album ends with 'Rytm to Niesmiertelnosc II', the clouds turn from a heavy grey to a uplifting palette of autumnal shades as a subtle rhythm emerges to gently guide the listener into lighter pastures. Despite the somewhat uplifting ending, as the last note strikes you may find yourself wanting to turn back into the darkness and start the whole adventure again. Wrap up warm, and carry enough supplies for many years of repeated listening...
on Sunday, 10 January 2010
Picture: Josh Keyes

On a week when our country has been bought to an almost stand still by a few flakes of snow, I've wanted to do nothing else than stay in bed and keep warm, wrapped up in gorgeous drones. Sadly I have to work.

In the moments between being out the house the following artists have been of great comfort to my ears. Eluvium and one half of Opitope, Chihei Hatakeyama. The latters back catalogue has been on heavy rotation this weekend, his Under the Spire release, August, 3 tracks long, each engaging and yet humble enough to fade into the background without you ever forgetting that its still there. His 2006 Kranky album Minima Moralia still sounding as fresh and can be, given a few more listens a may force its way to becoming my favourite release of his, though it has some catching up to do with last years Room40 release, Saunter.

Of even greater surpise to me has been my rediscovery of Eluviums 2003 album, Lambent Material. My main love of Eluvium has been care of his Piano pieces, especially Prelude for Time Feelers and Radio Ballet from 2007's Copia. On Lambent Material his sound is much more indebted to the drone side, opener The Unfinished is reminiscent of Polmo Polpo at his very best, There Wasn't Anything carries echoes Godspeed at their quietest, however it's the closing pair that steal the show. The 15 and a half minutes of Zerthis Was a Shivering Human Image are quite possibly the best thing i have ever heard, perhaps an over exaggeration but give it a try and see for yourself. If you were even remotely impressed by Wixel's Briksdal of last year, then this will blow your mind, achingly simple, painfully beautiful.

What Boomkat Said About Eluvium - Lambent Material:
Lambent Material is the entirely appropriately named debut album by Matthew Cooper of Portland, Oregon. Under the guise Eluvium, Cooper went on to be responsible for some of the most graceful examples of contemporary ambient electronics of recent years, but this is where it all started. The album begins with 'The Unfinished', a track that mirrors the effortless drift of Stars Of The Lid at their most vivid, but there's a considerable chane of pace on the following piece, 'Under The Water It Glowed', which manages to retain the kind of suggested, implied melody of the first piece whilst using a less obfuscated sound palette of bright synth tones and wafts of guitar. Taking a far more organic route to the same end is 'There Wasn't Anything', a piece rich in breathy woodwind and distant, reverberating piano. The longest single track on the album is up next: 'Zerthis Was A Shivering Human Image' a fifteen-minute dirge propelled by biting digital distortion on a panoramic scale (it's rather reminiscent of Fennesz's 'Circassian' from his Venice album), which eventually lapses into the exquisite 'I Am So Much More Me That You Are Perfectly You', another of Cooper's more organic, transparent works, filled with clouds of electric piano and waves of static hiss. Excellent.

Chihei Hatakeyama - Towards A Tranquil Marsh


Chihei Hatakeyama - Under the sun from The River, currently available on Hibernate


NEW ALBUM Chihei Hatakeyama - The River What the Label Said




on Sunday, 14 December 2008



Been feeling like i have a cold coming on so have spent most the weekend, wrapped up next to the radiator and trying to work out what my favourite albums of 2008 are. In the process discovering a few really lovely albums that didn't catch my attention on first listen.
First up, actual Guitar Hero, James Blackshaw, not in a Marnie Stern way, more John Fahey, Alexander Turnquist, fingers picking away like there's no tomorrow, liek Charlie Parr if he was more into Eluvium than backporch blues.


Litany Of Echoes is daunting on first impressions, three songs over the 11 minute mark but each one is done so well that the time soon flies by mixing the frantic yet calm picking with lovely pianos, epic and equally remarkable.


Wiki:James Blackshaw is a London-based guitarist and pianist, born in 1981. Blackshaw primarily plays an acoustic 12 string guitar in a similar style to Jack Rose, Steffen Basho-Junghans, and Robbie Basho. He has released material on labels such as Celebrate Psi Phenomenon, Static, Digitalis Industries, Important Records, and Tompkins Square. His music and skill has received much critical acclaim: "Blackshaw has finessed his 12-string acoustic guitar into a veritable solo symphony that's as schooled in uncommon beauty as it is in complex 20th century composition."

Myspace
Stream Tracks on Last FM
James Blackshaw - Past Has Not Passed mp3
Source: No Words

Likewise the follow up to long time favourite, A Lily's 2006 elecronic gem For Lily, comes the endearingly titled three track EP I Dress My Ankles with God's Sweetest Words. The opening two tracks ae vastly different to the aforementioned release choosing folk over electronica as the main component. The boy (James Vella of Yndi Halda) though is a seeming genius at whatever he puts his mind to. And so we have two lovely fingerpicked folk numbers that flutter and switch as and when they feel free, A Town Like Hurricane particularly lovely with its Ice Cream man count in and imperfect backing singing like they only had an hour in the studio and the concept of a second or third take never entered the equation, its better for it though. Hunter and Sky see's a nod back towards his electronic side, a droney outro to close the EP.

I you haven't already tracked down For Lily its more than worth the effort.


Last FM: A Lily is James Vella (of Yndi Halda) who makes magical electronic music that matches the likes of Boards of Canada. He has just been signed onto a new record deal to release his latest record. Similar to Yndi Halda, James makes beautiful music in his side-project, but it is nothing like the post-rock sound Yndi Halda makes, it's unique from that, and the ambient soundscapes created provoke a much more calm, serene feel to the music that other similar electronic artists can bring.

A Lily mp3's
Stream A Lily Songs on Last FM

fatandconfused's Profile Page
on Sunday, 13 January 2008
And finally, as if from nowhere comes the Fat and Confused top albums of 2008, its been a ridiculously fine year for music and one where due to the world of filesharing i've found myself hearing artists i probably would never have heard. I guess filesharing is an ethical matter, personally i see that it helps the artist and only hits the corporates who rip us off left right and centre, its could turn into a lengthy debate, feel free to add your comments below.
Thanks again to everyone for your support and continued reading of the blog, as always i'll hopefully update more regularly next year. There will be some top fives etc from labels that have supported the blog from paper through to PC that will appear in the next couple of weeks and perhaps a track from each of the albums below to, i've run out of the will to do anymore today...happy reading, hope you discover something new...and feel free to add me as a friend on last fm

1. Lacrosse - This New Year Will Be For You And Me (Tapete)
We Said:Lovely and instantly loveable, this pales last month’s Tullycraft love affair into insignificance, I know I fall in love with a new band on a weekly basis, it was Lavender Diamond prior to Tullycraft, the Aislers Set and the Blow before that but here we have something truly special, this is the album Architecture in Helsinki have always threatened to make, this is how good In Case We Die could have been had each and every song been as good as It's 5! and Frenchy I'm Faking. Canadian summers, roller skates and good times abound, I’ve had this album on constant repeat since I got it and can't see that changing any time soon, a potential late entry for album of the year
Lacrosse - This New Year Will Be For You And Me
Who Will Bring Us Together
2. Electrelane - No Shouts No Calls (Too Pure)
We Said: There are some people that are so effortlessly easy to like, the kind of people who you meet for the first time yet feel like you’ve known each other all your life, the kind of person you could tell all your secrets to and never have worry about offending them by just being yourself. Electrelane are much the same.
Electrelane - No Shouts No Calls
In Berlin
3. Of Montreal - Hissing Fauna Are You The Destroyer (Polyvinyl)
Boomkat wrote: Intermingling all kinds of sub-genres, Of Montreal seem to be able to elicit grade-A indie pop out of all manner of bizarre instrument match-ups and scattershot song structuring.
Of Montreal - Hissing Fauna Are You The Destroyer Bunny Aint No Kind Of Rider
4. Múm - Go go smear the poison ivy (FatCat)
We Said: naïve and playful like some strange childhood dream sequence, lullaby’s for an Icelandic kindergarten.
Múm - Go go smear the poison ivy Dancing Behind My Eyelids
5. Seabear - The Ghost That Carried Us Away (Morr Music)
We Said: Seabear are not completely dissimilar to their Icelandic counterparts Múm. Though they share the found sounds, the collection of shiny objects collected as if by Magpies and then shined musically into our ears, they add folk and Americana to these gentle tunes, taking in the best parts of early Belle and Sebastian (Arms), Sufjan Stevens and possibly taking the laid back formula of Sodastream and whisking it into something delicious.
Seabear - The Ghost That Carried Us Away Libraries
6. The Go! Team - Proof of Youth (Memphis Industries)
We said: Proof of Youth is one of the best albums you will hear this year, full to the brim and overflowing with feel good tunes, songs to pick you up, to make you dance, to let you forget about all the crap you have to deal with, I love this album, only a week ago I could never imagine saying such a thing. Its sends a shiver down my spine how good this album is. Taking the best of hip hop and mixing it in with a serious helping of motown, tracks like Doing it Right have no need to beg you to dance for by the time the first bar has kicked in you’re already there on the dance floor, and a series of chants likely to be echoed on a million dance floors “do it do it alright” “extra extra read all about it”.
The Go! Team - Proof of Youth Fake ID
7. Kettel - Whisper Me Wishes (Clone)
We said: An album that is as wonderful as the title would suggest, flitting between rubbery electronica last done so well by the much missed Fortdax, and modern classical pieces of heartbreaking beauty
Kettel - Whisper Me Wishes Zutphen
8. Au Revoir Simone - The Bird Of Music (Moshi Moshi)
We Said: In come the synthesised handclaps, the cheap drum machines and melodies to die for, melodies to make you get up, open the curtains, welcome the new day open armed and make the most of the short summer.
Au Revoir Simone - The Bird Of Music Stars
9. Kashiwa Daisuke - Program Music I (Noble)
"Two tracks, the first Stella is stella by name and stella by nature, clocking in at almost 36 minutes its an awe inspiring trip through a fragile and beautiful outlook of the world. This again shares an affiliation with World's End Girlfriend, snow blowing in your eyes, cold and harsh yet ultimately turning the tired landscape you see day in day out into a winter wonderland of enchantment. Kashiwa has the ability much like Godspeed to write a song that clocks in well above the average length and yet never outstays its welcome. Within a loosely knit genre that often relies on repitition and indelibly written formulas never once does Stella sound like its treading familiar ground or running short of ideas."
10. Eluvium - Copia (Temporary Residence)
We said: I awaken to a blanket of white snow, its cold and I really don’t want to be up at this time in the morning. As I cycle through the crispy white snow making the first tracks the world seems a lonely place, pitilessly cold and unforgiving, new snow blowing into my hair and face but as Eluvium’s Prelude For Time Feelers kicks in and new tracks appear I realise that I’m not alone and if anything I’m better off than I could ever imagine, the snow continues to fall, but now its pretty and almost romantic, falling slowly and deliberately, clinging onto every branch and spider web available creating a whole new outlook on familiar surroundings. And there in the distance you can just make out a figure, your not sure if its her but you have a good feeling about today…
Prelude For Time Feelers may well be one of the most wonderful and uplifting songs you hear all year, elsewhere Copia takes a less piano driven path, Requiem on Frankfurt Ave setting the pattern, all slow violins and keyboard swells not a million miles from Johann Johannsson,
Max Richter and Deaf Center. Eluvium - Copia Radio Ballet
11. Darren Hayman - Darren Hayman And The Secondary Modern (Track & Field)
We said: And so here we find Darren firing on all cylinders churning out the kind of tracks that seem plucked from our everyday lives, our broken hearts and our deepest sentiments.
12. French Teen Idol - Enlightened False Consciousness (Lost Children Net Label)
We said: a lovely album that is as much electronica as it is post rock, full of samples, doomy and apocalyptic yet hope crammed keys and some lovely skittering beats. Disaster samples conversations from flight United 93, respectfully so, and where some people may feel that the very idea of this is wrong I’d have to strongly disagree. Music is a form of art, and an expression of peoples feelings and emotions and I can’t possibly think of a more emotionally charged situation, the result is spectacular...For the majority of the time the album possesses the same unblemished and natural beauty that Johann Johannsson’s IBM Users Manual album displayed so well, the oneness with nature, the slow motion look at a world that holds so much splendour beneath the things that are so often forced to our attention, the bad things that fill the pages of the newspaper, the natural wonder of a butterfly emerging from a cocoon, tracks such as Memento convey such wonder, much how Johann does but perhaps with more of a proclivity for drums and beats.
French Teen Idol - Enlightened False Consciousness Full Album
13. Plastic Operator - Different Places (Fine Day)
We said: And so here Plastic Operator delivers a full length album of electronic genius replete with gems (Parasols, Special Case, Peppermint & Couch especially) similar to the aforementioned folder, each one a shimmering synth pop treat, like Figurine if only they were more consistent, like Freezepop if they weren’t so cartoonish and Fog & Ocean had they been more focused & a more grown up Lo Fi Fnk.
Good things come to those who wait, and so if you’re after a summer of synth pop perfection then look no further than Plastic Operator, songs that you’ll sing along to, dance to and no doubt relate to.
Plastic Operator - Different Places Folder
14. The Finches - Human Like A House (Dulcitone)
We said: “New front door/ same address/ same front step/ same back porch/ geraniums to the terrace/sold my shoe to pay the rent/ I won’t be needing them/ I won’t be leaving too soon” The opening lines of the title track from the Finches excellent Human Like a House sum up in my mind exactly how I view the excellently named Carolyn Pennypacker Riggs. A country type, but not the redneck violin playing country type you may instantly think of, instead the type that lives in a little cottage in the woods with gingham table cloths, a stream running buy and neatly arranged flower beds outside the front door. One that is contented, happy in their own environment and instantly enviable.
The Finches - Human Like A House House Under The Hill
15. amiina - Kurr (Ever)
Boomkat wrote: There's something wonderfully morose about it that seems to condense all the most successful elements of Amiina's boundlessly elegant music into a brief three minutes. Totally essential stuff and a massive recommendation.
amiina - Kurr Rugla
16. World's End Girlfriend - Hurtbreak Wonderland (Human Highway)
We said: Where this time last year I was being seriously blown away by Johann Johansson’s delightful Ibm 1401 - a User’s Manual this year there is a new album in my life that touches on every beautiful note given to man, a musical vision steeped both in classical and electronic music yet never sounding (despite its brilliance) as harsh as Venetian Snares Rossz Csillag Allat Szuletett, instead in bathes itself with lush sweeps of field noises, birds singing and ever so occasionally blasts of jazz like discordance.
World's End Girlfriend - Hurtbreak Wonderland Ghost of a Horse Under the Chandelier
17. Best Fwends - Alphabetically Arranged (Moshi Moshi)
We Said: I imagine Best Fwends to be a pair of snotty nosed punk kids who had the good fortune of stumbling over a DAT Politics album one day and as such decided to break into the Tigerbeat 6 headquarters stealing Kid 606s laptop and still finding time to sift through ten years of Smash Hits taking in depth notes as to what to makes a feel good radio friendly tune whilst remaining undeniably cooler than anything ever printed on those pages.
Best Fwends - Alphabetically Arranged House Ghost
18. Last Days - These Places Are Now Ruins (N5md)
Textura wrote: These Places Are Now Ruins includes numerous lovely moments, such as the blurry string-drenched overture “Station,” which finds Richardson gravitating towards Eluvium territory, and “Saved by a Helicopter,” a pretty interlude of untreated piano. A stormy mass of clatter, haze, and sirens blows the background of “Reasons to Go” but not so loudly that it overwhelms its lilting piano and glockenspiel melodies and acoustic guitar arpeggios
Last Days - These Places Are Now Ruins Devils Wood
19. Scout Niblett - This Fool Can Die Now (Too Pure)
We Said: The duets tend to show a newer more mature and produced sound to Scout Nibletts already high standards, the kind of touch needed to put her up in the big league (she has always been there, if not above in my mind) the push that will see her recognised clearly amongst the Cat Powers (of whom she is unarguably far superior, if not to the eyes of the mass media) the Will Oldhams, the Bill Callahans and the Joanna Newsoms. However her stripped down sound I was first attracted to (some songs on here feature violins and full band) is still present on a number of tracks that stand out to me, the ferocious Nevada and Let Thine Heart Be Warned.
Scout Niblett - This Fool Can Die Now River of no Return
20. Shady Bard - From the Ground Up (Static Caravan)
We said: There's something undeniably beautiful about the work of Lawrence Becko's baritone vocals, bound to put some people off, others will just find it that bit more loveable, that bit more human, especially when you hear the wonderful lyrics set to such lovely piano based post rock, never going full on Explosions in the Sky but certainly heading that way towards the finale of the wonderous Penguins. Tracks such as Summer Came When We Were Falling Out and Fires are organic and frail almost amateur in appearance with milk bottle melodies and whistled refrains, acoustic post rock, and much lovelier for it.
Shady Bard - From the Ground Up Penguins
21 Euros Childs - The Miracle Inn (Wichita)
We Said: Euros Childs is a madcap genius who deserves your attention, let him put a little sunshine and romance in your life.
Euros Childs - The Miracle Inn Horse Riding
22 Besnard Lakes - The Besnard Lakes Are The Dark Horse (Jagjaguwar)
We said: Remember how much you love the new Low album, the slow drawn out vocals against waves of melancholy, then add to that the magic of Mercury Rev and you won’t be far off Disaster the opening track on the excellent Is A Dark Horse. The songs build and spiral often past the six minute mark, whipping up an exhilarating fervour of noise and feeling much like the majority of Wilco’s live album.
Besnard Lakes - The Besnard Lakes Are The Dark Horse Disaster
23. Karl-Johan Nilsson - The Seams (One Net Label)
One Net Label wrote: A work featuring wide, sweeping strokes from minimal brushes that add up to a thick canvas of sound - electrical static scratches and crawls, rolling waves of rhythm, bass, guitar, synths and ambiance come from all sides. Sounds seemingly trying to escape while a song progresses or takes form. Karl-Johan Nilsson - The Seams Full Album
24. Statedlife - Future Dream (Archaic Horizon)
Archaic Horizon wrote: Bay area artist Matt Guilbeau, withholds a vision of peaceful tranquility led by his passionate love of all existence. He strives to speak out against all things that stem from hatred by creating powerfully optimistic music. "Future Dream" embodies these goals and at no time falls short of achievement. Statedlife builds compositions based upon hope, usually beginning with soft spoken melodies that build into a crescendo of harmonies. Spacious synths that drift and glide with no limit to their evolution define his sound. Statedlife - Future Dream Full Album
25. Tullycraft - Every Scene Needs a Center (Magic Marker)
We Said: From the opening seconds it’s clear that this band are even more likeable than Vince Noir, the kind of music it would be seemingly impossible not to like.
Tullycraft - Every Scene Needs a Center Clique At Night Vandals
Honorable Mentions
Bearsuit - Oh:io (FAntastic Plastic)
Jupiter Force
Black Moth Super Rainbow - Dandelion Gum (Graveface)
Sun Lips
Cocorosie - The Adventures of Ghosthorse and Stillborn (Touch & Go)
Werewolf
GABRIEL - good old days (Archaic Horizon)
Full album
A Hawk And A Hacksaw - And The Hun Hangar Ensemble (The Leaf Label)
Serbian Cocek
Lavender Diamond - Imagine Our Love (Rough Trade)
Here Comes One
Lymbyc Systym - Love Your Abuser (Mush)
Love Your Abuser
Motoro Faam - ...and Water Cycles (Preco)
...and Infiltrations
Renu - Into The Skyland (U Cover)

MP3's
Lacrosse - This New Year Will Be For You And Me
Who Will Bring Us Together
Electrelane - No Shouts No Calls
In Berlin
Of Montreal - Hissing Fauna Are You The Destroyer
Bunny Aint No Kind Of Rider
Múm - Go go smear the poison ivy
Dancing Behind My Eyelids
Seabear - The Ghost That Carried Us Away
Libraries
The Go! Team - Proof of Youth
Fake ID
Kettel - Whisper Me Wishes
Zutphen
Au Revoir Simone - The Bird Of Music
Stars
Kashiwa Daisuke - Program Music I
Eluvium - Copia
Radio Ballet
Darren Hayman - Darren Hayman And The Secondary Modern
French Teen Idol - Enlightened False Consciousness
Plastic Operator - Different Places
Folder
The Finches - Human Like A House
House Under The Hill
amiina - Kurr
Rugla
World's End Girlfriend - Hurtbreak Wonderland
Ghost of a Horse Under the Chandelier
Best Fwends - Alphabetically Arranged
House Ghost
Last Days - These Places Are Now Ruins
Devils Wood
Scout Niblett - This Fool Can Die Now
River of no Return
Shady Bard - From the Ground Up
Penguins
Euros Childs - The Miracle Inn
Horse Riding
Besnard Lakes - The Besnard Lakes Are The Dark Horse
Disaster
Karl-Johan Nilsson - The Seams
Full Album
Statedlife - Future Dream
Full Album
Tullycraft - Every Scene Needs a Center
Clique At Night Vandals

on Saturday, 29 December 2007
Shady Bard - From The Ground Up (Static Caravan)
There's something undeniably beautiful about the work of Lawrence Becko's baritone vocals, bound to put some people off, others will just find it that bit more loveable, that bit more human, especially when you hear the wonderful lyrics set to such lovely piano based post rock, never going full on Explosions in the Sky but certainly heading that way towards the finale of the wonderous Penguins. Tracks such as Summer Came When We Were Falling Out and Fires are organic and frail almost amateur in appearance with milk bottle melodies and whistled refrains, acoustic post rock, and much lovelier for it.
The sound is wintry and beautiful yet is as warm as it is cold with enchanting lyrics such as "I think i'll take a walk in the park/ it's a cure for a broken heart" perhaps evoking slight comparisons to bands such as Low or The Tindersticks, maybe even The Twilight Sad in four albums time, less frantic and more experienced in life.
Bobby is reflective and not afraid to take & admit responsibility for past errors, humble and delightful and really nothing less than the quality you would expect from the superb Static Caravan label. These Quiet Times is angelic "I'll catch you falling, I'll catch you falling, I'll catch you falling , when you least expect" full to the brim of the kind of reassurance we all need in this paranoid world we have to cope with, Eluvium style piano's enter as the song peaks and the moment is just wonderful as the final chorus breaks in "won't you feed the birds in the winter time?"


Windmill - Puddle City Racing Lights (Melodic)
At the other end of the spectrum we have Windmill, for once an artist who can justify comparisons to the Flaming Lips, Neil Young and Mercury Rev, comparisons so relentlessly handed out to anyone with a remotley falsetto vocal.
The songs again are wonderful, upbeat and also resemblent of the much missed Homescience, mixing beats with classic piano chords this album is again nothing short of brilliant. The songs are heart wrenching yet wonderfully honest.
Interestingly Static Caravan have previously released one of the album highlights, opener Tokyo Moon, do you really need any more evidence that this label is genius?

Sources

Windmill