Showing posts with label Portishead. Show all posts
Showing posts with label Portishead. Show all posts
on Sunday, 26 December 2010
An extraordinarily succesful collaboration between Portishead and Beak>'s Geoff Barrow and German artist Anika. This is the sound of the sixties Girl Group given an almighty dub reworking. Her voice haunting and Nico like, the bass, deep and deeper still. Each song managing to stick in your mind and have you singing along despite the almost doomy feel. End of the World and No Ones There stand out amongst a very impressive collection.

Spoiler : What Boomkat Said:
This album came about when German artist Anika crossed paths with British band Beak while she was working as a political journalist between Berlin and Bristol. Spending just twelve days in the studio, Anika and Beak came out with a wholly unique album that clashes together punk ethics, dub-inspired production and the sort of songwriting approach you'd associate with the golden era of girl groups, during the sixties. Former single 'Yang Yang' seems to get better every time you hear it, and there's a massively weird DIY reggae cover of Bob Dylan's 'Masters Of War' that's far better than you could possibly expect.



on Monday, 10 March 2008
Encephala -We are the Dreamers of Dreams (Earstroke)

In a week when we have been spoilt with new albums, new offerings from The Long Blondes, Blood Red Shoes, Isobel Campbell, Blood on the Wall & Portishead have all leaked into the hard drives of music lovers world over, and yet the albums that have captured my attention most this week have all been from net labels, extraspecially so the magical We are the Dreamers of Dreams by Nate Zuckermans' wonderfully original dream project Encephala.

Each track a dream experience retold set to dreamy soundscapes and often spiralling off far into the surreal. I have never heard anything quite like it, perhaps the closest comparison being Michael Andrews excellent soundtrack to the equally inspiring Miranda July film, Me & You & Everyone We Know. Gloriously dreamy and occasionaly spooky each track is captivating and addictive capturing the beauty of dream, the infinite possibilities of escaping every day life, the escape that us dreamers yearn for and get sucked into, reaching a heartaching pinnacle on I Just "i just wanted you to be alive" she repeats again and again "the driver tells me that i have to let you go" such conviction, such tragedy, you can almost hear the tears running down her face. Rarely is such tragic beauty captured this well.