Showing posts with label el-p. Show all posts
Showing posts with label el-p. Show all posts
on Wednesday, 8 December 2010
Decided to put this on whilst wallowing in self pity this afternoon, all sneezed out and drained of energy, we Brits are not cut out for this kind of weather. I'd forgot quite how good this was and quite how much I loved it, after all this was the record, although not being dubstep, helped we finally crack dubstep, although still not Burial, and ultimately shaped my listening trends for the last half of the year, pointing through various sources to artists such as Mount Kimbie, Teebs, Gold Panda, Shed, John Roberts, Digital Mystikz and a whole host of others.

I'm not really sure what genre this is, maybe instrumental hip hop, Boomkat choose to label it beats/downtempo/boogie, whichever way it is awesome, i can at least guarantee you that much. Despite an off putting first track or so this mix really picks up the pace quickly and peeks between tracks 7 &9 which are simply excellence after excellence, maybe topped only by the incredible closing track Eat my Garbage 2, 8 minutes plus of dubby drums and filthy synth stabs. A musical trip well worth investing your time in.


Spoiler : Reviews:
Independant: More of a stopgap collection of incidental music and rudimentary beatscapes than a fully-considered follow-up to 2007's epochal I'll Sleep When You're Dead, this is nonetheless infused with El-P's characteristic dystopian sci-fi mood and edgy, paranoiac tone.

"Take You Out At The Ball Game" opens matters with waltzing strings sketching the melody before it's crushed by big drums, synths and indecipherable crowd chanting; thereafter, many of the tracks employ deep bass synth burrs, crunching beats and John Carpenter-esque lead synth lines. But it's El-P's way with a drum track that's best showcased here, particularly on the closing seven-minute "Eat My Garbage 2", where the sequences vary from the stilted to the slick and jazzy.

Boomkat: Continuing the tradition of 1998's 'Little Johnny From The Hospital' and the more recent 'Weareallgoingtoburninhellmegamixxx2', El-P serves 15 diverse instrumentals for Def Jux. He largely shuns samples for this LP, instead favouring a powerfully synth and drum driven excursion with fragments of electro wired with a heavy rock vibe.


on Saturday, 16 October 2010

Having long since being resigned to the fact that I would never fully understand dubstep and only occasionally enjoy finding myself in the middle of dancefloor full of people moving in that staggered way that it's lazy beat forces you to, I've been surprised by how much i've begun to enjoy the genre of late. This new found love is in part due to EL-P's wonderful weareallgoingtoburninhell mix with it's occasional dubstep influence and also in part due to this wonderful album that i discovered on a regular visit to the highly recommended Glowing Raw blog.

It's not out and out dubstep, in fact if you wanted to strip it down to the bare facts it's propbably a dub/8-bit hybrid, however you sometimes need an inbetweener album to help you cross over into a new musical haven. In this instance Disrupt have done sufficiently well in helping me take that step.

The album is laced with lovely deep and heavy bass lines, dubby and maybe even in debt to reggae somehow. The kind of thing that would normally have me switching tracks, instead the bass lines are so simple, the whole sound in fact is stripped down but these bare elements, when put together make for a highly addictive sound.

Listen Here

Disrupt - Tubby Rom Module mp3
Disrupt - Bomb 20 mp3
Disrupt - Blast You to Bits mp3

MP3 Source: Phlow

Spoiler : What Boomkat Said:
Probably the most talked-about BASS transmission of recent months - the long awaited debut album from Disrupt is with us and is doing things to our woofers we didn't think quite possible. Make no mistake - this is just about the best appropriation of Jamaican dub and 8-bit dancehall you'll likely hear this year - with a slow paced skank and a filthy, uber-bassy production style that has more in common with king Tubby, Black Art and, for that matter, black magic than with any half-arsed wobble presets and lazy dubplates you just might have picked up these last twelve months. Once inside Disrupt's rugged echo-chamber you'll find yourself immersed in a heady, narcotic cloud of smoke, moved by staggered delays, endless reverberations and a tranquilizing cluster of distant instruments and digital detritus all colluding to lull you in and f*ck with your mind good and proper. This is music designed for complete and utter sensory intoxication, tweaked and honed for intense stupefied skanking - and is quite simply one of the most beautifully heavy, chemically enhanced albums you'll hear this year. -Boomkat


Read full review of Foundation Bit - DISRUPT on Boomkat.com ©