Tags: .redshifts, airborne toxic event, all angels gone, asa chang junray, cinerama, dirty three, eluvium, esmerine, fat cat, fatcat, loscil, m.i.a., mogwai, rose kemp, the twilight sad, wedding present, whitenoisesound
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Perhaps out of all of FatCat’s recent releases this is the one that should have hit me instantly, what with the Ladybird style cover, the post rock leaning and the long song titles, yet I struggled for a while but with continued listens I’ve learnt to fall for these Scottish boys, an accent to add to the Proclaimers and Ballboy, Scottish and proud of it. Each song dripping in resonance and walls of sound, the kind that Oasis thought they had achieved yet they are made to look little more than pebbles in comparison never more so than on the excellent Talking With Fireworks / Here, It Never Snowed, an explosion of guitars reminiscent of Rose Kemps Violence and Mogwai back when they weren’t afraid to do the predictable quiet loud quiet loud, lovely triumphant marching drums that most street bands would be proud of. And She Would Darken the Memory conveys the tiresome part of relationships “I’ve putten up with your constant whine” at the top of his voice and from the bottom of his heart in such a manner that will easily win over Arcade Fire fans. Noise, melody and songs sung from the heart, I don’t know why it took me so long, I really don’t.
Whitenoisesound vs. .redshifts – Single Series Six (Burning Emptiness)
Another challenging listen from the picturesque Burning Emptiness label, Whitesnoissound are a seven piece that at least on this recording (their myspace would reveal a more guitar driven sound) are ambient and for the most part of Blood Reprise slight unnerving and disturbing, although it does eventually morph into an Asa Chang stylesleep inducing psychedelic dream piece. You wouldn’t guess from the type of music made that there are seven of them! I thought ambientronica was for onemanbands, geeky laptop users with a knack for finding a tune from a decay pile of electrical overload. .redshifts it would appear is a onemanband and indeed Adam W. Flynn has a knack for finding a tune amongst electrical overload, Distant is ten minutes of resonant joy, a little bit Loscil biut not afraid to bring in inappropriate drums just when you least expect them, as perfectly wrong as the scenes from Donnie Darko where he is being a teen arsonist and his sister is taking part in the dance competition all set to slow moving music, capturing the moment and extending it till your ears ring a wonderful tone.
Airborne Toxic Event - Does This Mean You're Moving On (Square)
As free time and employment get in my way I have less and less time to spend sifting through 7" singles in record stores the way I used to on the empty Monday afternoons of my youth and as such my musical tastes have moved away from those lovely homemade indie pop treats that i used to so delight at receiving and purchasing, here I’m reminded of what I’m missing out on. A three track seven inch single full of Gedge like delights, not least the title track, three and a half minutes of prime pop ala Cinerama, lyrically packed and catchy as can be. One for the indie disco that much is sure.
I can’t stop listening to…Stephen H, by All Angels Gone, the slowly wondering pianos that announce recent sorrow, a death, a murder, unexpected and spontaneous, the body still lying on the floor, a vase smashed into a thousand pieces and the rain relentlessly crashing down against the window, a solitary tear running down her face…by 2 min 38 there is hope on the horizon, new beginnings and fond memories, this is beautiful music that you will want to listen to again and again despite in melancholy feel. Like Esmerine had they been a bit more hospitable, Eluvium in a less dreamy mood, Dirty Three if only Warren Ellis would stop trying to be such a frontman. http://www.last.fm/music/All+Angels+Gone
I can't stop listening to...Sunshowers by M.I.A., I must say I was slightly surprised/ disappointed to see M.I.A. on the front of this month’s Plan B magazine, I had them down as more underground than that, I could be wrong but I’m of the assumption that M.I.A. has a certain amount of mainstream critical acclaim under her belt. I'm self proclaimed awkward when it comes to music, for the reason though that the "big" bands, the bands that grace the cover of the NME, Q etc have enough listeners already when no doubt as I prove to myself everyday there’s a million and one great bands to discover who get nowhere near the coverage they should. I'm pleasantly proved wrong in the case of M.I.A. she is a legend, and Sunshowers is the most instantly lovable song you can imagine, this is a song for the good times, a song that comes at a time when I’m deeply wrapped up in post rock that gets me in the mood to go out, go surprise yourself, you won't be disappointed..."He had colgate on his teeth/ And Reebok classics on his feet" how can you not love that?