Showing posts with label The Shop Assistants. Show all posts
Showing posts with label The Shop Assistants. Show all posts
on Thursday, 28 August 2008
A Lily – Wake:Sleep
"sweet, meandering melodies, caught somewhere between sleeping and waking. childrens' voices echo incoherent and lively; electronics, accordian, drums and glockenspiel drift in and out."The Wire

It’s taken me a long time to get into this and I wonder why, it’s so perfectly me, perhaps it’s those final two tracks, far too long for my short attention span, too droney and uneventful, maybe they just don’t fit the rest of the album, the latter being 30 plus minutes in length, perhaps on my way to sleep I would welcome them into my ears but following on from the glorious six tracks that precede them, i’m not interested. Maybe if this is available on vinyl the label will have been discreet enough to have tracks 1-6 on side A and 7 & 8 on the flipside, they seem that far removed.
The album comes with a story...( "In his solo project A Lily, James Vella creates willowy instrumental dreampop whose pitter-pattering beats, chiming melodies, softly murmuring voices, and fluttering guitars sound like they're emerging from behind a translucent scrim. Inspired by his girlfriend Leanna, Wake:Sleep is a valentine set to music created by the Canterbury resident and Yndi Halda guitarist using primarily computer and electric and acoustic guitars, but also accordion, piano, drums, glockenspiel, bass, and pretty much anything else within reach.)...and its every bit as beautiful as the sentiment, six pieces of glitchy goodness, skittering beats and gently whispered sampled laments, like múm if they only shopped organically and avoid e numbers, like a film dropped on the floor before developing, stained half recallen memories of good times, the light that awakens you day in day out, reliable, bright and persistent. Children’s voices reminiscent of Boards of Canada and Isan, twinkles and chimes so soothing on the brain that remind me of I am Robot & Proud, each song slowly turned inside out as if to reveal the inner person, the secret person of the heart. A special special album.


Hayman, Watkins, Trout & Lee - Hayman, Watkins, Trout & Lee (Fortuna Pop!)
I wonder where he finds the time, where he finds the inspiration, this being the umpteenth release this year from the wonderfully honest and analytical Darren Hayman formerly of Hefner, one of my all time favourite bands. Darren has the ability to put feelings into words, everything you want to express, all those frustrations you’ve felt, all the sideways glances, all the thoughts you never thought you’d tell into flipping good pop songs. With Hayman, Watkins, Trout & Lee there is a diversion from the normal sound this being a bluegrass project, which would normally be enough to turn anyone off, however alongside Dave Tattersall of the Wave Pictures the Hayman magic shines through as ever.
Hesitation Blues will have you strutting around your kitchen and dosey doe-ing your loved one whilst your kettle boils, Jameater Blues will have you flinging open your windows on even the coldest days and make you eat jam straight from the jar without a care in the world. High Blood Pressure cannot fail to make you smile, alternatively it may just inspire you to go watch O Brother Where Art Thou?
Go embrace Hayman, Watkins, Trout & Lee, let some light heartedness into your life.


Source: Nu Wave

The Mountain Movers - We've Walked In Hell And There Is Life After Death (Fortuna Pop!)
With a title like that of an over ambitious post rock band or a survivor from the lost island writing his autobiography you’d be forgiven for expecting something pretentious and overblown. It won’t help their cause when I tell you that all the songs are about death, the devil and the afterlife.
You’ll be pleased to know however that instead of being some death metal disaster, the kind people at Fortuna Pop! Are treating you to 12 songs as laid back and splendid as everyone’s favourites, The Butterflies of Love.

Bubblegum Lemonade – Ten Years Younger EP
Strawberry Whiplash – Who’s In Your Dreams EP
A lovely couple of releases straight out of Glasgow from the ever reliable Matinee Records. Bubblegum Lemonade are very JAMC and very Creation but loveable all the same. Ten Years Younger is a brilliant shoegazey pop song with an almost Aislers Set/Black Tambourine stomp to it especially as it resurrects itself so brilliantly just before the three minute mark. That Thing You Do! Sounds like something i’ve heard before, it’s nothing new but it’s exceptionally well done. Highly recommended.
Strawberry Whiplash have a similarly familiar sound, this time more drenched in fuzz and keys, like a modern Shop Assistants, and really need I say anything further than just go discover them.


Cocoanut Groove - The end of the summer on Bookbinder road
A brilliant harpsichord drenched track of Left Banke pop with a bass line taken straight from the fret board of the Association. One for those few sunny days when you miss the old Belle & Sebastian.


on Thursday, 25 October 2007
It only seems like yesterday when i found myself slowly picking up my own musical identity, straying away from what amazingly when i was at school where thought of as unknown, weird bands, bands like Kenickie, Hefner, Sparklehorse and even to some extent The Smashing Pumpkins. Distributors such as Norman Records and Gayle Brogans Boa Melody Bar opened me up to a whole new world of underground music, the latter especially, it was here i believe that i heard of the excellent and now quite possibly my favourite band the Aislers Set a band so wonderful its hard to put into words how they make me feel. Fuzzy guitars, fairground keys, festive twinkles, handclaps and ba-ba-bas to die for. Songs that make you want to unashamedly dance in that way that long fringed indie pop boys do, songs to sing your heart out to, songs to drive to and songs you will never tire of.

Lately I’ve been going through a bit of a revival, particularly enjoying what i had felt was a disappointing third album, How I Learned to Write Backwards, a more sombre affair than the classic and possibly along with Amy Linton’s former bands, Henry's Dress sole album Bust ‘Em Green, favourite album in my collection, The Last Match, two albums that are currently racing up my Last FM charts. I hadn't really appreciated what a great album it was, how different it was and that really i shouldn't have been expecting another Last Match, instead a more sombre affair, a tired album, one full of melancholy, the downer than almost always any prolonged period of happiness. This is the Aislers Set come down album. Unfinished Paintings is barely there, all drowned in reverb and delicate strokes of guitar, sparingly picked, not too dissimilar to the route Dear Nora took following her early upbeat EPs. Was Either Easier likewise is bare in sound compared to The Last Matches garage band racket, the vocals sublime, the bass taking the lead for the first time and doing a fine job off it, complimenting the horns quite beautifully.
Catherine Says, Action Attraction Reaction, Languor in the Balcony and Mission Bells are more classic girl group yet again minimal in depth, but deep in reverb. These are lovely songs that given chance will become something special to you, only not in the same way that The Way to Market Station, Been Hiding, Balloon Song, The Red Door and We Give Up Did. This is the sound of the Aislers Set after they've been in love, after they've had their hearts broken, an all the more cynical Aislers but an utterly lovable Aislers all the same.
I often wish that the Aislers Set would grace us with another album and yet at the same time the three that they've given us are a little more than special. I'd hate them to come up with something half hearted, go fall in love!