Showing posts with label line. Show all posts
Showing posts with label line. Show all posts
on Wednesday, 19 May 2010
Last years Weather and Worn was a key record in shaping my musical year, irresitable droney experimentalism in bite size pieces, impossible not to listen to again and again. And although he boasts a large back catalogue and impeccable taste as head of 12k and Line i've yet to find anything by him that's quite matched up to Weather and Worn's magical warmth, until ironically now with the coldly entitled "Snow (Dusk, Dawn)".

Another masterpiece much in the same manner as the aforementioned, inspired by the late winter snow of 2009 and part of a multimedia project that you can read about below.


The way he combines surface noise with dreamy rotating drones is near perfect as the track rotates and swells gently never straying too far from the early sounds but developing enough to keep the interest whlist still not forcing its way to the forefront, perfect music to relax or read to. The kind of outcome you'd expect should Jana Winderen have bumped into either Collin Olan or Rutger Zuydervelt during their respective experiments with ice but ten times better.

What The Label Said :
please note: Snow (Dusk, Dawn) will only be available during the opening night of Taylor Deupree's Unseen photography show in Tokyo on April 15th. Any copies remaining from this night will then be available in 12k's online shop on a first-come-first-serve basis. About a month following the opening of Unseen the musical portion of this edition will be made available through our digital distribution network.

Transience, ephemerality. There is beauty in things that don’t last. Taylor Deupree’s Snow (Dusk, Dawn), a multimedia project incorporating sound and photography, is based around 63 photographs taken with expired polaroid film. This particular film produces images cast with other-worldly blueish hues and almost immediately begin to fade; losing color, to deep browns, and then finally, within 24 hours after being shot, to complete black.

Deupree’s work is often inspired by nature, particularly the winterscapes near his home and studio in rural New York. With the polaroid film in hand, which he knew would capture only a fleeting image, he shot images during the first heavy snowfall of the winter of 2009, at dusk, in the setting sun; nothing was to last, the snow, the image, the day. The next morning, barely at sunrise, he set out again to finish the film, in a dawn that wasn’t going to last.

As quickly as he could, following each photo session, Deupree scanned the polaroid prints, capturing the first white snow in ghostly blue before the pictures faded to black. Each of these scanned images is printed and displayed next to its original, black polaroid counterpart in the package along with the cd. Each copy of this edition of 63 is thus rendered unique, each with a different print and polaroid.

For the music portion of the project there is also contrast, transience, and decay. A fragile melodic loop, distressed by surface noise, struggles to keep its repetitive flow over a quiet and languid 18 minutes as it subtly, but constantly, loses ground and eventually becomes fragmented and falls away amongst the elements that surrounded it.

Snow (Dusk, Dawn) captures the essence of what much of Deupree’s work is about: imperfection, time, and memory. He uses both high- and low-tech means of creating rich works that scrape away at the surface of digital sterility. Avoiding the con- trolled manipulation offered by computers he prefers natural and unpredictable processes to add depth and texture to this work. Outdated film, cheap cameras, dust and leaking light effect his photographs while guitars, found percussion, old analog synthesizers and recordings of falling snow provide the soundtrack to a moment in time that comes and goes like dawn.

This edition is being presented at the NADiff Gallery in Tokyo, Japan on April 15th as part of Deupree's Polaroid photography show, Unseen.

The edition contains: 3" CD - Original Polaroid print - Color print of pre-faded Polaroid image - Letterpress card.


A PDF file of the entire edition can be viewed HERE.
on Friday, 12 March 2010
Line being a sister label to the marvelous and ever reliable 12k records to quote "has continued to publish documents of compositional and installation work by international sound artists and composers exploring the aesthetics of contemporary and digital minimalism as limited edition Compact Discs and DVDs."

To some 12k may be experimental in its own right, Line however takes it to the next level being specifically for ultra-minimal stuff and art installations. As such at times I've tended to keep a distance. For this release though nothing could be more instant to the ears of an appreciator of long swelling drones.


TU M’ are an Italian multimedia duo formed by Rossano Polidoro and Emiliano Romanelli in 1998. In their own words "Through a personal use of digital and analog instruments, the TU M' reveal a complex universe made up of present and past, closeness and distance, where seeing and listening become a meditative contemplation. " I couldn't agree more.

At times it veers towards the epic soundscapes of ambient dub master BvDub, allowing the pieces to flow and billow into an endless sea of tranquility. The only fault here would be Monochrome #04's length, straying into 29 minutes whereas twelve would quite happily have sufficed. The other three tracks however are exemplary both in length and content.

"A poet always has too many words in his vocabulary,
a painter too many colors on his palette,
a musician too many notes on his keyboard."
- Jean Cocteau

Tu' M - Monochrome # 03 - excerpt
Tu' M - Monochrome # 00 - excerpt

2008/2009 | Monochrome # 09+V06 | 20' | excerpt.mov
2008/2009 | Monochrome # 08+V03 | 30' | excerpt.mov
2008/2009 | Monochrome # 06+V05 | 20' | excerpt.mov

What Boomkat Said: This disc represents the auditory component of a mixed media project from Italian duo Tu M', who describe Monochromes as "a collection of modular audio and video compositions" which create sound and light vibrations that reverberate around the performance space, resulting in "an atmosphere to be contemplated". This being an audio-only CD, Tu M' have in a sense shifted the goalposts somewhat, and the only clue to the visual element you have is the album sleeve, which lifts a still image from the project. Having listened through the disc, it's actually pretty difficult to imagine how any sort of corresponding video might enhance the experience. These compact, finely worked pieces construct an enveloping ambience in their own right. 'Monochrome 01' immediately provokes comparisons to William Basinski with its looped, heavily enshrouded loops and ghostly piano gestures, but there's a more digital, less gritty feel to this album that sets it apart from that oft-copied sound. Next comes 'Monochrome 02' (unsurprisingly enough), which is far less concerned with constructing any explicit melodic presence, instead content to cast sonic shadows for twelve minutes or so - it's all characterised by a disconcerting intangibility, vaporous and strangely... absent in tone. More overtly musical is the shortest entry here, 'Monochrome 03', which unfurls chords that gently swell and fall away like a distant orchestra, only for the final piece to present a more solid block of sound, casting a veil of digital smudges over your ears for a hypnotic half-hour. Abstract and immersive listening from the reassuringly challenging Line stable.