Showing posts with label suburban kids biblical. Show all posts
Showing posts with label suburban kids biblical. Show all posts
on Sunday, 13 April 2008
So it really has been to long since i visited this page and shared good music with you. Much has happened and much new music has been discovered and continues to be discovered on a daily basis, the Japanese in particular, seemingly a nation full of talented musicians, equal parts genius and beauty. An endless stream of musicians similar in style to World's End Girlfriend and dare i say better than. Each one taking the most lovely parts of classical and turning it into something of exceptional splendour.

First up Anoice, whose album Remmings is a real joy, a gorgeous mix of piano and violin, occasionally dischordant but in a subtle way rather than any barrage of decay that you may expect. The almost Tarantula AD had they not discovered 80's poodle rock of Kyoto stands out alongside the yearning violins of Liange.



Anoice guitarist and programmer Takahiro Kido also records under his own name, more sparse and slightly magical in its basic form. Lovely piano compositions

Takahiro Kido Myspace

Yasushi Yoshida's new one for the ever impressive and reliable noble label is a touch of genius in a very similar vein perfecting the mold he so sucessfully created on pevious album Secret Figure. Highly recommended.


This is Ivy League have been catering for my pop requirements. Thir self titled debu album is a breath of fresh summer air, like Belle and Sebastian with a greater love for Simon & Garfunkel, for Modesty Blaise, for Love . like Suburban Kids With Biblical Names if they slept in silk pyjamas, really quite brilliant. Richest Kids, A Summer Chill, Love is Impossible stand out. This is Ivy League - Richest Kids mp3

Women are just brilliant, like No Age playing Shin's covers. Clinic covering the Bach Boys. I need say no more.
Matmos have been getting all perfect on us, less concepts more electronics, the opening three tracks on new album Supreme Balloon are obscenely good, suffocated in retro synths, rubbery and brain meltingly good. The rest of the album doesn't quite live up to the exceptional openings but the three are well worth tracking down.

And some old school Matmos


Happy listening...
Sources


on Thursday, 30 August 2007

Cue – Wedding Song (Thirty Ghosts)
I only recently discovered quite how much decent post rock there was out there, everyone is familiar with the Godspeed’s the Explosions in the Sky, The 65 Days of Static, the Dirty Three’s and although I had long been ignorant perhaps Mono were not so deep in the underground as I imagined. Thanks to Jordan Voldz Silent Ballet and particularly their top 50 Instrumental albums of each year since 2005 I’ve unearthed a number of great bands not least the Ascent of Everest, Laura, The Pirate Ship Quintet and Souvenirs Young America, still what I’ve found is that all too many whilst undoubtedly being excellent have often followed the straight forward formula that Explosions in the Sky do so well. As I say, it’s not that its bad, it just lacks depth, much like with a “pop” band I get bored of seeing guitar, bass and drums, at the very least bring in a keyboard, so it is with post rock that the piano and violin can add that extra depth that allows the band to take on a new level, to dig deeper and express a dictionary full of new and unknown feelings. It’s refreshing to hear a band like Texas, Austin’s Cue, that are described rather nicely on last.fm as a four-piece progressive instrumental/chamber noise rock band. Although one of the things that draws me to post rock is the slightly doomy outlook most bands have, the darkness and apocalyptic direction most take, its again refreshing to hear such an upbeat instrumental band.
It comes as no surprise to discover that guitarist Colin Swietek is an occasional member of Graveface Records outfit the Octopus Project (perhaps best known for their collaboration with the also fantastic Black Moth Super Rainbow. Wedding Song for Living Things and Dead Things, YROKROLSUKKDN2002, Can You See My Skeleton? And Fleur de Lis stand out, though as whole this is a great upbeat album that could quite welcomely be my wedding song.
Thirty Ghosts Records

Suburban Kids With Biblical Names - #3 (Labrador)

I was first drawn to the Surbaban Kids by their excellent name, I don’t know how many times I have been disappointed with this theory yet this time I was far from disappointed, their first EP bragging the instantly classic Rent a Wreck and Trumpets & Violins. This was followed with #2 boasting the instantly loveable Funeral Face as lead song and now #3 a classic collection of songs sung in the style of Jonathan Richman and generally accompanied with handclaps, drum machines, whistles, and ba-ba-ba’s, unsurprisingly as they to quote ”want turn all the dance floors into a burnings inferno of Ba-ba-ba”
The majority of the album is excellent but really peaks at track 9 with the trio, S_____y Weekend (take those silly shoes off and go back to summer camp/ and don’t ever come back/ you look like you live in a tent…), Rent a Wreck and Seems to be on my Mind (love seems to be on my mind/ seems to be all the time/ oh what a lovely way to spend your life/ not needing anything…I’m a young boy with a lot of things on my mind) which’ll all have you singing along before you finished hearing them for the first time. Suburban Kids With Biblical Names, not just kids with great names after all.