Showing posts with label under the spire. Show all posts
Showing posts with label under the spire. Show all posts
on Saturday, 27 November 2010
The highly consistent Under the Spire label deliver another slice of droney pie in the form of Ibreathefur's excellent Every Day You Look Different, the four tracks here are wonderfully wintry and gravelly in sound, similar in sound to the experimental drones of Wixel and perhaps Ben Frost especially towards the end of Through Turbines, the grating static, churning it's way through imaginery nets and slipping into your receptive ear drums.


Find more artists like ibreathefur at Myspace Music



Spoiler : What Boomkat Said:
4 track EP on CD-R in hand-stamped & numbered recycled card packaging with two inserts. 100 copies only* Ibreathefur is the project name of Chris Spearman, here delivering a work full of tension and dynamics, one minute pummelling you with harsh electronic noise the next soothing you with calm and fuzzy drones. A maelstrom of electronic noise hits you as this lovely 4-tracker opens, bringing to mind the more glacial sheets of noise Tim Hecker has perfected over the years. 'Nylon Light Bleed', quietens down with a manipulated acoustic guitar that falls back into a swirling hiss over mellow drones. The EP finishes with beautiful field recordings, rounding off a lovely release from this interesting new artist.

on Saturday, 3 October 2009

Ekca Liena - Drones Between Homes (Under the Spire) / Orb Night (Phantom Channel)

I've for some time been enthralled by the thought of Ekca Liena, a regular poster and self promoter on the After the Post Rock Forum. You can however only trust so many reviews especially when every new drone artist i discover is described as being similar to Stars of the Lid, Tim Hecker and Fennesz, just as the lazy reviewer describes all post rock as being a little but Mogwai, a little bit of Godspeed with a hint of EITS and so on. Whether it be the trick of the small distros to drum up interest and in turn sales or whether they're just that braindead i don't know. What I do know is that Ekca Liena is as great as i had expected. For some unknown reason i had assumed Ekca to be a girl, maybe an heir to Danielle Baquet Longs throne, as it is, Ekca Liena is simply a moniker for the work of Dan McKenzie.


Instead of sounding like everything else, Ekca Liena has a genuinely original and personal sound, it reminds me of Textile Ranch slowed down and intricately taken to pieces, like the cogs that turn inside a pocket watch or the gentle and elegant movements of a clockwork ballerina ,so the notes fall, delicate and graceful, mixing music box melodies with drones so lovely they would cause the sun to rise all by themselves should they be given half a chance.

In places you can hear echoes of Colleen and on the excellent Strange Dusk an ode to Ben Frost's ability to restrain sound from crossing over into brutality but getting as close as possible without touching, can be heard in the deep throbs that bring the track to a finale.

And so it is with a plethora of releases that Ekca Liena has jumped into the limelight, having wowed those in the know last year with the now sold out but soon to be rereleased Slow Music For Rapid Eye Movement, Ekca returns with a release on two of the hottest experimental labels around currently (three it would appear, as he also has a new album on the Dead Pilot label), first up Drones Between Homes on the excellent Under The Spire label, two tracks that stay just shy of 15 minutes, dreamy and reflective in manner, however the real treat is the four track Orb Night and the even more excellent Phantom Channel label, four songs that twinkle like stars in the night sky, drifting like an owl swooping on unsuspecting prey, majestically beautiful yet slightly eerie and spine tinglingly awe inspiring. The title track, Orb Night, itself is simply epic, drifting between twinkles and dark ambient yet never sounding tired or outstaying its welcome over its 20 minute duration. One to watch for sure, hopefully he won't go too Machinefabriek on us.


on Monday, 24 August 2009

Tom White - Sight See (Smallfish)
- A Well-Known Phrase (Under the Spire)


It'll be at the end of the year when people are moaning that it’s been another awful year for music when i pipe up as always with a hundred and one recommendations, pretty close to the top of my list though will be Tom White.

The Ambient/Drone/Experimental genre seems to have an endless supply of new artists with endless supplies of material, many of the forerunners of the genre having numerous releases each year, Lawrence English, Taylor Deupree, Machinefabriek. On first impression it’s an incredibly limited field, most songs are barely there, notes decomposed and shredded, recycled and made new, drifting along seemlessly and yet it's the genre that has really grabbed me by the ears this year. It has an ability to pull you in, the wrap itself around your very lobes, the quietly seduce you into soft and dreamy sleep. There are many experts in this field, a number of whom I’ve already mentioned and a handful more that will be strong contenders for album of the year, Molly Berg + Stephen Vitiello if you need names. Right now though, Tom White rules my world. 8 months through the year and two delightful releases so far on a pair of the most reliable labels out there.

First up the wonderfully short Sight See release from Smallfish. All too often i find myself put off by massively long ambient tracks, albeit psychological and maybe due to more than a little Last.fm OCD. How refreshing it is to see tracks of less than five minutes and on a couple of tracks less than two, beautiful pieces mixing both drone and elements of noise while never outstaying their welcome.


I was more than surprised to see the level of quality surpassed on the follow up on up and coming underground label Under the Spire. A Well-Known Phrase is nothing less than a treat, more gritty and more experimental and featuring a healthy nod towards perhaps one of my favourite artists of the genre Ben Frost, balancing the excursions into noise with delicately growing soundscapes.

An album is expected before the end of the year, one can only look forward with eager anticipation.