Showing posts with label Allo Darlin'. Show all posts
Showing posts with label Allo Darlin'. Show all posts
on Thursday, 12 July 2012

Freshly back from Indietracks, totally blown away by the experience after finally attending the greatest gathering of Indie pop in England each year. Some lovely new discoveries..Tigercats were especially wonderful and some welcome old faces, Darren Hayman, Allo' Darlin and the really quite wondeful The Smittens a band that had impressed me with their great album The Coolest Thing about Love, an album that I had played on repeat for the days preceding the festival, re-familiarising myself with those great melodies, "The Interstate", "Gumdrops", "H&M (+A)" and many more. And so it was slightly disappointing that they focused more on new songs instead of the familiar tunes we love and cherish.

Having now had chance to digest their brand new album, I can't wait to see them again, (how did i not know they played Nottingham on Tuesday!!) each song a bundle of fun, catchy as can be and laden with hook after hook.

The lead single "Burning Streets of Rome" is not typically Smittens-esque, the intro is wonderfully 80's, soft synths and short couplets, a bassline that recalls a hundred songs  , none of which I can put my finger on but maybe it's College's A Real Hero from the incredible Drive, but Burning Streets of Rome carries none of the droney darkness of that film, instead it carries one of the most catchy choruses you'll hear in years and will be singing all summer long.."Bubblegum Bubblegum panic attack/ It's a cute boy who likes me back".

Where the Smittens really excel is when they alternate lines between the hugely talented roster of members within the band (including Colin Clary of Let's Whisper and Colin Clary, surely the greatest voice ever, you need to chat to this guy!), each taking a line one after the other, like on the delectable Pavement meets Yo Gabba Gabba of The First Bus "I DISAGREE WITH YR THEORY / ARE YOU KIDDING, REALLY? / EVERYONE I KNOW AGREES " and then later on with the weight watching paranoia of Dream World, a march of a song that should soundtrack Slimming World drop outs across the world..."All the weight I just put on is never gonna come off/ never gonna come off"


I've been craving a new indie pop love after too many years all wrapped up in (still quite wonderful drone) and I think this album might be the one that gets played as frequently and as loudly as Of Montreal's Hissing Fauna. Simply Brilliant. 



on Monday, 27 December 2010
And so there goes another year, billions of albums released, far too many ignored or at least neglected, and yet some really great albums have surfaced over the past twelve months.

The last three months in particular has seen me finally click with Dubstep and even House to some extent, a genre I never thought i'd get into.

Here we start with the most essential pop albums of the last year. i've narrowed it down to 18, if I was less tired I probably would've rounded it up to 20 and included Sleigh Bells Treats and the eighties-tastic That We Can Play by Games.

The majority of pop that i've fallen for this year has been deeply influenced by the sixties, girl groups especially, not a bad thing considering this was the golden decade for pop.

Hopefully you'll find something new and enjoyable. Enjoy 2011.

Click the reviews link for soundclips and the normal reviews, generally my own comments along with Boomkats plus tracks to stream.


Artist Album

1 Best Coast Crazy For You Buy
Review + Soundclips
2 Rangers Suburban Tours Buy Review + Soundclips
3 Allo, Darlin' Allo, Darlin' Buy
Review + Soundclips
4 Anika Anika Buy
Review + Soundclips
5 Big Blood Dead Songs Buy Review + Soundclips
6 The Like The Like Buy
Review + Soundclips
7 Magic Kids Memphis Buy
Review + Soundclips
8 Tennis Baltimore - EP / South Carolina Buy Review + Soundclips
9 Beach House Teen Dream Buy
Review + Soundclips
10 Gigi Maintenant Buy
Review + Soundclips
11 Belle & Sebastian Belle & Sebastian Write About Love Buy
Review + Soundclips
12 The School Loveless Unbeliever Buy
Review + Soundclips
13 Chain and the Gang (I've Got) Privilege 7" Buy Review + Soundclips
14 Cults Adult Swim Singles Program Buy Review + Soundclips
15 CocoRosie Grey Oceans Buy
Review + Soundclips
16 Amiina Over & Again Buy
Review + Soundclips
17 Gonjasufi Kowboyz&Indians / My Only Friend Buy
Review + Soundclips
18 Scout Niblett Calcination of Scout Niblett Buy
Review + Soundclips
on Sunday, 26 December 2010
Twee as can be and proud of it, not afraid to steal lyrics and even chrouses from already popular songs. Allo Darlin' had already charmed me beyond the point of return when I saw them support the lucksmiths on their final show ever, this album only served to establish and further my affection.

Charming, twee and seemlessly bridging the gap between Camera Obscura and Tender Trap. Responsible for some of the most danceable indie pop this year.

Spoiler : What Boomkat Said:
Sharing a record label with The Pains Of Being Pure Of Heart, Allo Darlin' occupy a similarly sunny indie-pop disposition, harking back to the heyday of twee-pop and the C86 movement's sounds. Led by Australian-born songwriter Elizabeth Morris, this London-basedquartet got their start with 'Henry Rollins Don't Dance' a splendid and most comical indie-pop missive that's sadly absent from this debut album. 'Woody Allen' fills the gap left by the band's absentee Black Flag ode, opening with the line "In the movie of our lives would Woody Allen write the screenplay?" before musing on whether Ingmar Bergman might be a more apt helmsman for a cinematic depiction of the narrator's relationship: "Max Von Sydow couldn't play you/I know you'd want him to/But Max Von Sydow couldn't play you". Following on is the disarmingly sweet 'Let's Go Swimming' a song that typifies this band's ability to transcend their potential for irritating archness. When Morris starts singing about a lake she and her beau would visit together, there comes the chorus: "And all the punks in Camden couldn't shout about it/And all the hipsters in Shoreditch could never style it/And all the bankers in Moorgate could never buy it for you", which somehow sounds rather touching for its romanticising roll call of London Boroughs - the sort of thing that was so popular within indie circles back in the Britpop-era. For all their feyness and knowing lyrics, Allo Darlin' are incredibly easy to fall for, and this eponymous debut surely represents one of the most charming examples of twee-pop in recent memory.


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